In this week’s session, I began draping a replica of a custom Burberry dress worn by the Princess of Wales. I focused on constructing the bodice, analyzing the unique design elements, and demonstrating how to create the pleated front detail. The session involved a mix of design analysis, fabric selection considerations, and hands-on draping techniques to recreate this high-end designer piece.
Demonstration Steps:
- Analyzed the dress design, noting key features like fabric pattern and bodice construction
- Prepared the dress form with a bust bridge for accurate draping
- Marked key lines on muslin to replicate the tartan pattern
- Draped the bodice, focusing on creating a clean neckline and shoulder fit
- Shaped the front pleats to match the original design
- Made adjustments for a closer fit and proper pattern alignment
Questions & Answers:
- Q: Why did you put the bust band?
- A: I added a bust bridge to ensure the pattern lines stay straight across the chest when there’s no center front closure.
- Q: Do you always drape top and skirt never as a whole dress?
- A: For this particular design, separating the bodice and skirt is necessary to achieve the straight grain to bias shift in the fabric. Generally, I do drape whole dresses when the design allows.
- Q: Would a lightweight wool suiting work for this dress?
- A: Yes, a lightweight wool suiting would work well for this dress.
Next week, we’ll refine the bodice drape and begin work on the skirt portion of the dress. I’m excited to continue this project and appreciate your enthusiasm for tackling such a complex designer piece together.
