In this week’s session, I demonstrated an innovative draping technique using two fabric panels stitched together strategically to create multiple transformative looks.
We explored the versatility of this approach, playing with different placements on the dress form to develop asymmetrical, diagonal, and symmetrical silhouettes that can be easily constructed with minimal seaming.
Demonstration Steps:
- Cut two fabric panels – one approximately 126×150cm and another smaller panel approximately 55×75cm
- Created a diagonal cut/angle about 30cm in from the edge on both panels
- Stitched the panels together from specific points (marked as points A to C and B to C)
- Placed the connected panels on the dress form in different positions to explore silhouette options
- Demonstrated how the same construction could create multiple styles: a one-shoulder dress, an asymmetrical diagonal dress, and a draped top with straps
- Showed how adding 40cm of length in specific areas would allow for the back to be covered with minimal seaming
- Explored different closure options including straps, buttons, and ways to secure the drape
Questions & Answers:
- Q: When is a gusset necessary in a draped garment?
- A: A gusset is needed when the side seam is positioned high near the underarm and the sleeve opening is restricted, causing tension when lifting your arms. If your sleeve opening is wide and low, you typically don’t need a gusset.
- Q: What fabrics work best for these draping techniques?
- A: Viscose crepe (especially crinkled), lightweight jersey, crinkled chiffon, or georgette work beautifully for draping. Viscose interlock jersey drapes “like butter” and is perfect for these techniques.
I’m excited to continue developing these designs with you next week, where we’ll complete one of the looks by refining the pattern and constructing the back.
This technique offers endless creative possibilities while being surprisingly simple to execute!